Grammar-
Translation |
Direct Method
|
Audio-Lingual
Method |
Silent Way
|
Suggestopedia
| |
1. Goals
|
Read literature in L2. Develop mind. Learn grammar, vocabulary, and culture.
|
Communication. Think in L2. Direct association in L2 without translation.
|
Communication. Automaticity by
learning new habits. |
Self-expression of Ss; independence from T.
|
Everyday Comm. Tap Ss mental powers by desuggesting barriers to learning.
|
2. Role of the teacher/student
|
Traditional. T is the authority. Ss learn from the T.
|
T-centered.
T directs. |
T-centered. T provides model of L2 for imitation.
|
T as facilitator, resource, provides what Ss need.
|
S must trust and respect T as authority. Ss adopt childlike roles once they feel secure.
|
3. Teaching/
Learning Process? |
Translation. Deductive study of grammar. Memorize vocabulary.
|
Associate L2 and meaning directly in real context.
Use L2 only. Inductive grammar. Syllabus based on topics/ situations. |
New grammar and vocabulary through dialogues.
Drills. Inductive grammar. Learning is habit formation. |
Ss guided to discover the structure of L2. Initial focus on accurate pronunciation.
|
Relaxing atmosphere, music, activate whole brain + peripheral learning. Reception then activation phase.
|
4. Nature of student/teacher interaction
|
T to S.
|
Both initiate interaction. Some S/S interaction.
|
T-directed.
S/S in drills. |
T active, but mostly silent.
S/S interaction encouraged. |
T/S and S/S interaction from beginning.
|
5. How are students’ feelings dealt with?
|
N.A.
|
N.A.
|
N.A.
|
Positive feelings encouraged, also S/S cooperation.
|
Focus on confidence and sense of security via suggestions.
|
6. View of language/ culture?
|
Literary language over spoken language.
|
Spoken language over written.
|
Language as system of patterns/units.
Simple to complex. |
Language expresses the spirit of a culture.
|
Communication as a 2-phase process: language + extra- linguistic factors.
|
7. What language skills are emphasized?
|
Vocabulary/
grammar. Reading/writing. |
Vocabulary over grammar. Focus on communication.
|
Structure important. Listen-speak-read-
write. |
Pronunciation & intonation. Structure.
Oral before written. |
Vocabulary. Explicit but minimal grammar. Language use over linguistic form.
|
8. Role of the native language?
|
L1 in classroom. Two-way translation.
|
Not used.
|
L1 habits interfere
with L2. Avoid L1. |
Used to form sounds in L2 and for feedback. Otherwise not used.
|
L1 used in translation of dialogues. As course proceeds, L1 reduced.
|
9. How does evaluation occur?
|
Written translations. Apply grammar rules.
|
Use of language (interview).
|
Discrete point testing for accuracy.
|
Continuous observation. Ss develop their own criteria.
|
In-class performance.
|
10. Treatment of errors?
|
T supplies correct answer.
|
Self-correction.
|
Avoid errors by overlearning.
|
Self-correction; peer correction.
|
No overt correction Modelled correctly.
|
11. Associated with whom?
|
Moses
|
Francois Gouin, Charles Berlitz
|
Charles Fries
|
Caleb Gattegno
|
Georgi Lozanov
|
Community Language Learning
|
Total Physical Response
|
Natural Approach
|
Communicative Language Teaching
| |
1. Goals
|
Communication. Promote nondefensive learning.
|
Communication. Learning L1=
learning L2. |
Communicative competence. Facilitate acquisition by providing comprehensible input (i+1).
|
Communication in social context. Appropriacy. Functional competence.
|
2. Role of the teacher/student?
|
Counselor/client. As S assumes more responsibility, becomes independent of T.
|
Director. T provides model of L2 for imitation. Later role reversal.
|
T as facilitator. Primary responsibility is with S.
|
Facilitator. Manager of learning activities. Promotes communication among Ss.
|
3. Teaching/
Learning Process |
Security, aggression, attention, reflection, retention, discrimination. Ss initiate speech in L1, T supplies L2.
|
Comprehension before production. Modelling by T followed by performance.
|
Comprehension before production. Developing model approximates L2 (L1, . . . L2). Gradual emergence of speech. Task oriented.
|
Ss learn to communicate by negotiating meaning in real context. Activities include information gap, choice, feedback.
|
4. Nature of student/teacher interaction?
|
Changes over time. Importance placed on cooperative relationship between T/S and S/S.
|
T speaks, Ss respond nonverbally. Later, Ss verbalize.
|
S-centered. Both initiate interaction. S/S interaction in pair and small group activities.
|
T arranges tasks for communication. S/S interaction.
|
5. How are students’ feelings dealt with?
|
S viewed as whole person, no separation of intellect and feelings. T "understands” Ss.
|
Ss have fun in a nonstressful situation.
|
Affective factors over cognitive factors. Optimal learner has low affective filter.
|
Ss are motivated to learn thru usefulness of language functions.
|
6. View of language/ culture?
|
Language for developing critical thinking. Culture integrated with language.
|
Spoken over written.
|
Language as a tool for communication. Language function over linguistic form.
|
Language in social context, for communication.
|
7. What skills are emphasized?
|
Ss determine syllabus by what they what to say.
|
Grammar and vocabulary (initially via imperatives). Comprehension precedes production.
|
Vocabulary over grammar. Function over form. Comprehension–e
earlyproduction–s speech emergence. |
Function over form. Discourse and sociolinguistic competence + all 4 skills.
|
8. Role of L1?
|
Used in the beginning, less in later stages.
|
Not used.
|
L1 can be used in preproduction (comprehension) activities.
|
Generally not used.
|
9. How does evaluation occur?
|
Integrative tests. Self-evaluation.
|
By observation.
|
Communicative effectiveness. Fluency over accuracy. Task oriented.
|
Communicative tests. Fluency and accuracy.
|
10. Treatment of errors?
|
Nonthreatening. Correction by modelling.
|
Unobtrusive correction.
|
No error correction unless errors interfere with communication.
|
No error correction unless errors interfere with communication.
|
11. Associated with whom?
|
Charles Curran
|
James Asher
|
Tracy Terrell, Stephen Krashen
|
Various.
|
Comments
Post a Comment